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Cells for Replication

by Yadak

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    Música original y composición por / Original music and composition by Yadak (@yadak_sounds).

    Mezclado y masterizado por / Mixed and mastered by Nico Rosenberg (@nico.rosenberg).

    Arte de portada y fotografías por / Cover art and photographs by Michael Birmanns (@michael_birmanns).

    Diseño adicional por / Additional design by Mika Martini (@mikamartini).

    Disco desarrollado durante el confinamiento entre mayo-septiembre del 2020, en Santiago – Chile / Album developed during the confinement between May-September 2020, in Santiago – Chile.


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    We modify the Human. Viruses need cells to survive and multiply. We reflect on life and death. On how artificial hope gives us a new perspective on life, to the point of recalling the sea in confinement, where you clamber a longing sigh, in a profound sense of melancholy with sparks of light. When you like to say that you can still float and see positive things in a dark ocean.

    Yadak
    (Santiago, Chile. Septiembre / September 2020)

    _________________________________

    The album “Cells for Replication” by Yadak immediately captures attention, generating a deep emotional connection from the body, primitive and animalistic. Its sound envelops and invites the listener to immerse themselves in an existence that flows in waves, awakening profound states that are increasingly restless and connecting with internal places that express themselves in intimacy. I can’t separate it from the image; it moves, transitions, evolves, it carries you… As I listen, oscillating landscapes slowly unfold, swaying between stillness and darkness, then gliding towards crystalline lights and fluid pulses. Yadak‘s sonic gestures manifest in imaginary landscapes, full of texture and color. I feel as if I’m traveling through time, traversing vibrant and diverse atmospheres that are almost palpable. At certain moments, the music emerges with a hypnotic intensity, shifting tones and providing sharpness and timbral brilliance even in the darkest segments. That contrasting luminosity of textures resembles a glow that sparkles in a deep blue twilight. The chiaroscuro is ever-present, carried by mechanical impulses that convey a sense of different spatial planes, with a manifest intention to take us on the journey to the end.

    “Cells for Replication” obeys nothing more than its own emotion, and it drags you through time with determination. The music permeates attention, generating an immersive sensory experience, playing with images of our era, human beings, life, and artificial intelligence. It’s impossible not to feel the territorial vastness it proposes, situating the physical sensation in this subtle yet robust imaginary landscape. The rhythms carry you forward, anchoring a precise point of contemplative stillness while awakening memory. As I approach the end of the album, an image appears in which the sea is close. In my mind, I can almost imagine what it would be like to immerse myself in it. I breathe deeply and ponder the question: how can one not be carried away?

    Valentina Maza
    (Santiago, Chile. Agosto / August 2023)



    Thank you Nicolás Rosenberg for your dedication and complicity, to Michael Birmanns for accompanying me from a distance in the process and contributing to the creation of the artwork for this project, to Mika Martini, for trusting and embracing this project and making it part of the Pueblo Nuevo label, and to the artistic committee of Hospital Salvador for hosting the first presentation of “Cells for Replication”.

    And to the wonderful people who, in one way or another, have supported and accompanied me on my sonic journey: Octavio Gana, Marco Martínez, Sergio Mora Díaz, Daniel Pastene, Valentina San Juan, Camila Mora, Daniela Santibáñez, Mane Celedón, Mel Nicitich, Caro Fuentealba, Seba Herrera, Laura Estévez, Gregorio Fontén, Roberto Vergara, Álvaro Guerra, Noctuary, Ciudad Sonora, Polwor, Claudio Pérez, Paty Muñoz, Gabriel Gana, Raúl Goicovic, Pablo Corro, Pato Cea, Francisco Polla, Colectivo Melancolía, Vicente Palma, René Roco, Orión Network, Eduardo Velásquez, Ina Olavarría, Isabella Cichero, Henry Bauer, Ángela Acuña, Cuti Aste, Tan Levine, and Mariana Oliveros, Caro Fuentealba, Chris Manhey, Daiva Stecher, Martín Gubbins, Walter Be, Luis Bahamondes, Gonzalo Donoso, Diego Delanoe, Irene Abajatum, Matías Rodríguez, Matías Illanes, Ignacio Bahna, Diego Noguera, Pedro Marambio, Valentina Maza, Camilo Velásquez, Galo Ghigliotto, Trinidad Lopetegui, and Seba Caso, to the grandparents, Jofré family, cochayuyos, and friends who continue to support me. Thank you!
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released October 9, 2020

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Yadak / Andrea Gana Santiago, Chile

Andrea Gana (1985, Chile) Musician and light artist. Develops: electronic,experimetal ambient, minimal,dark and post rock music. Characterized by nostalgic sounds of field recordings with a mix of analog and digital synthesizers.
Her projects developed in experimental situations and in unconventional places. Co-director of @delight_lab and @kuzefestivaldeluz.

+Photo: Michael Birmanns
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